Talked about French Ivy a while back... Clocked this Paris based label, J Keydge in John Simons' store today.
Archive for April 2009
Exclusive News: John Simons launches own brand
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For years, when America had J Press, Brooks Brothers and Paul Stuart all we had in the UK was John Simons. No one was complaining however; what you can't get from that one store on an Ivy tip isn't even worth thinking about. Simons has a sense of style and an understanding of menswear so unique and directional I suspect he could make Ralph stand back in awe.

Imagine my surprise and excitement therefore when he told me today that he was in the process of designing his own line of menswear. It's still early days, he said. The idea's are endless, but I'm starting small, just one item and planning to grow from there.
That one item is an amazing pair of chino's. They're neat, understated and considered; with the reductionist eye of a true modern, Simons' design combines subtle influences of military dress, traditional work-wear and American Ivy - all in one understated, forward-facing piece of clothing.
We're still thinking about brand names; but the first ones should be ready in six to eight weeks, he said.
See you there.
J.Simons,
2 Russell Street, Covent Garden,
London WC2, 0207 379 7353
David Dorrell: Roost...not roast
Monday, 13 April 2009 Comments Off
Spent a couple of interesting days passing through Redchurch Street, checking out David Dorrells' live action art piece. It was a really momentous and moving exhibition.


It featured Dorrell encamped in the darkened gallery space for four days and nights. Called Roost, the action piece touched on and was inspired by ritual - Christian and pagan, observing this period we've come to know as Easter, exploring it's roots in pagan tradition and voodoo parallels too.
He had a shooting gallery - where he'd select one of various iconic figures (Sacred Cows) to shoot - at a kind of modern deity...These included Joseph Beuys, Adolf Hitler, Barack Obama and George W Bush...
During this period he kept in contact with the rest of the world via Skype and occasionally popped his head out the door to collect the morning papers and discuss the process with the constant flow of visitors and passers -by.
And there were two chickens. The chickens lived with Dorrell in the space. Their journey was intrinsic to his; at a certain point in his entombment, he was to eat the eggs they layed and later to sacrifice them and use their blood as material for his painting. Then he was to pluck and cook and eat them for supper.
It was an amazing process to watch, a really provocative act which triggered loads of debate among the viewers, who for various reasons found themselves outside what essentially became Dorrells cave. What are the true roots of Easter? Would he or would he not kill those two chickens? Indeed should he? What do chickens have to do with Easter? Is our experience of meat consumption - all shrink-wrapped and oven ready - hypercritical? How to you value of art that can't be commodified and sold in a packaged, transferable form? Have we come expect art shrink-wrapped and oven-ready like meat..?

Symbolic of a resurrection, the David Dorrel who went in the cave was not the same man who came out; he'd pushed himself beyond normal limits and tested his own resolve in a very public way. When he came out, allowing us into the gallery was a strangely joyous feeling. It involved both relief and euphoria; he was free, he'd made it, and we were there to witness that. So too, mercifully, were the chickens.
MAURICE EINHARDT NEU GALLERY
neugalleries.com/
neugalleries.com/
Wardrobe Template 1. Oscar Madison
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There are a few classic styles of dress, templates which form the basis of the modern wardrobe. One of my favorites is what I call The Oscar Madison.
Walter Matthau, the perennial comedic grouch had an amazingly simple style in The Odd Couple where he played the grumpy, sloppy New York sportswriter Oscar Madison opposite Jack Lemmons' Felix Unger (FU to his friends).
Canvas basketball shoes - properly Converse, a loose fit pair of khaki pants, a grey t-shirt, a grey sweat shirt, a baseball cap, white towelling socks.
It's possibly one of the most understated and unassuming styles of dress ever - worn by Oscar Madison in a kind of anti-style way, with each piece of clothing begging to see an ironing board, by way of an overdue visit to a washing machine. But it doesn't have to be that way; as a template it can be worn neat and pristine - it can be worn as the freshest look ever. It can be fucked with - different coloured t-shirts, logo's, different coloured khaki's and so on...worn with a shirt, or a coach jacket...the potential variations never end...A stunning off-shoot of this template is what you could call the LA Lowrider style.

While others who have worked variations of this wardrobe template include the likes of James Dean, Woody Allen and Hunter S Thompson, one of the best exponents of this approach to menswear in the UK is Kevin from Bond, aka KJ. Kevins' approach is often to wear an Oxford BD shirt with it or a printed T instead of a plain one...

An influential supporter of urban London's creative community and a true streetwear pioneer, he's been surrounded by brands such as Tenderloin, the 100's, Stussy, A.in.T, Twelve Bar, Crooks and Castles, Staples and many, many others for years. Kev, over that time seems to have made a Zen-like discovery and arrived at the purest and most essential aspect of the streetwear aesthetic...

Wardrobe Template 1 is understated and effortless...ironically nothing like Oscar Madison, the Walter Matthau character after which it's named.
www.bond-international.co.uk
An Elegant Punk by Josh van Gelder
Sunday, 12 April 2009 Comments Off
Seeing this photoshoot, entitled An Elegant Punk, by top photographer Josh van Gelder (aka Boilersuit Josh) gives me a certain optimism...

It's a reminder that in (economic) hard times, when the promise of work, stable finance and ready credit have worn about as thin as a poor mans' Florsheim's, people tend to get their most creative.

With make-up reduced and abstracted to it's purest form, these beautiful images seem to make a direct connection between glam rock and punk and are a timely and sophisticated reminder of the 70's - an economically dire decade which was made more bearable by explosions of genuine creativity.
Whitechapel Gallery
Thursday, 9 April 2009 Comments Off

Going into the Whitchapel Gallery yesterday afternoon was like going into a West End museum...It's amazing how complete a cultural take-over this £13.5 million renovation project seems to have been. The scale of the gallery building , its clean lines and high concrete walls make it an ideal flagship for art in Britain. Unlike the street immediately outside however, this has become a real hob-nob attraction.

What's interesting is the reverse drive it will inevitably have to take; now that it's a huge cultural landmark with an international portfolio of artists all lined up to show there, the stake holders are going to be furiously scratching their heads wondering how they're going to get the locals involved - how are they going to dismantle the cultural apartheid they themselves worked so hard to create.
Gone is the local Whitechapel feel, that spill-over from the market, that sense of connection with the immediate communities....For the hour I spend in the cafe, I was the only black person there - the only person of colour in fact.
Fly Me To The Moon
Monday, 6 April 2009 Comments Off
To some the space race was an exercise in scientific prowess, to others it was a matter of cultural pride, dismissing comparisons to Icarus in pursuit of an indelible place in the history of the world.
It's forty years since Neil Armstrong uttered those famous words about small steps and mankind...While virtually every aspect of the NASA programme is subject to debate and suspicion (Capricorn One is a must see in that respect), one thing no one can deny is the way in which it wrote the Omega Speedmaster into the American history books. Worn by Armstrongs' co-pilot Buzz Aldrin (below), it's the first and only watch to be worn on the moon and is still worn on many NASA shuttle missions to this day.
To celebrate the anniversary of the first moon landing, Omega have come up with a commemorative Speedmaster - limited edition of course.
If the Apollo 11 mission established Omega's place in history, then it was the Apollo 13 mission which established the watches greatness. On the 11th of April 1970, at 13: 13 hours Apollo launched it's 13th misson.

Two days later, still on the outward journey pilot Jack Swigart (above) radioed back to mission control: Houston, we've had a problem. Due to major electrical failure the three pilots had to evacuate the crippled main module for the smaller Aquarius Lunar module. From that moment the plan was to abort the mission and get the pilots safely back to earth. Mission control calculated that with exactly 14 seconds of 'engine boost' the craft would have enough of a trajectory to power it at the correct angle around the moon and back home. The rescue mission became worldwide news; everyone back on earth thought the three pilots were as good as dead.

To quote the Omega site; Despite condensation, freezing temperatures and zero gravity, the crew's Speedmasters did not fail them. With a multi-million dollar computer system lying useless, the Speedmaster proved lucky for Apollo 13, delivering 14 exact seconds, 3 astronauts and invaluable scientific research back to earth.
Woven out of a potential disaster, it's the stuff myths are made of. You kind of wonder whether Icarus might've fared better with a decent watch too.
http://www.omegawatches.com/
Say Hello to Yamandu Roos Everyone
Saturday, 4 April 2009 Comments Off
This is Yamnadu Roos, or Mandu as we call him, crossing some deserted river in some unknown (to me) country in the middle of Europe's' vast continent. As you can tell by his attire, he's on assignment - not however on behalf of a client or a magazine as we might expect - but as part of an ongoing personal project called the Europeans. It's an epic task, a real journey of self discovery where he finds himself visiting various parts of Europe intuitively responding to the people and locations he encounters....

While any other photographer might approach this type of project with a degree of detachment, looking at the world through an almost voyeuristic eye, with Yamandus intense and ever curious personality, that kind of reportage photography isn't possible.
Hanging with Mandu in London a few summers ago, we ended up spending a lot of time with a group of Asian kids who live on one of the council estates in Bethnal Green. Rowdy, disruptive, fun - local kids who would be considered invisible or irrelevant to most outsiders or even most non-Asians living here. Mandu struck up a conversation with one of them about football and wanted to know what their experience of living and growing up in Bethnal Green was like...

His work is often subtle and textured, like an Old Master's painting - it's as if his fearless confidence exists because he has an instinctive empathy with his subject matter, and this sensitivity comes through in the images.
Yamandu doesn't adhere to the standard rules of engagement like the rest of us, which is why we can't be surprised when he says he's setting off to Norway or Iceland or Poland, often on his own with a tent, a super-size flask of coffee and his cameras in search of the Europeans...

www.yamandu.org
When Newsweek became Newsweak
Thursday, 2 April 2009 Comments Off

Shoes. I clock a pair of Prada shoes on the front of the current Newsweek. I pick it up. The cover line: The Case For Luxury, the savvy shopper buys less but spends more in hard times. Interesting proposition: I'm curious. I buy it. I read it.
Luxury sales are increasing, while low-end, cheap products are on the slide; People are trading excess for excellence, superficiality for substance, says Newsweeks Jonathan Tepperman in one of the lead articles, A Few Good Shirts. He quotes, spokesman for Savile Row Bespoke, Gavin Davis' phrase a flight to quality. He points out that the Contemporary Arts Fair tanked ...but old masters are going strong. According to Temperman, The reason is simple; quality pays. Well made but expensive items in classic styles offer a few big advantages over more disposable things.
Disposable things. I read again.
It's a twisted logic, like saying the reason so many small businesses are filing for bankruptcy at the moment is because more and more people would prefer to spend quality time at home with the kids.
The sales in stores targeting lower income and mainstream shoppers are on the decline because those who would happily spend their hard earned money in stores such as GAP and Saks Fifth Avenue are being hit with much more severity than those at the top-end of the consumer ladder.
The statistics quoted in the article reflect the basic difference between income and wealth: the wealthy are not being (or not allowing) the current economic situation to impede their spending power, while the poor have no option. More, the nature of the global economy and the current rates of exchange means that rich folk from other parts of the world are finding places like London more and more attractive for holidays and shopping. Less well-off people are too cash-strapped and busy trying to keep their jobs and their homes to think about luxury investments.
This confidence in the buoyancy of the luxury market isn't shared by other media either. Reuters reports (March 19th): Many European luxury houses are having to slow global expansion, close shops and cut expenses such as catwalks as demand plummets in key emerging markets like Russia and big retail outposts such as the United States. Another Reuters report dated April 4th reads: Overall, luxury analysts expect the global luxury market to decline more than 10 percent this year, its worst drop since 2002.
But why, I ask myself, why is the (once) great Newsweek rolling out such a questionable story? I flick through the pages of my newly purchased copy. I looking at the ads. I get my answer. Louis Vuitton, Rolex,Tag Heuer, Corum - all of whom get favourable treatment in the A Few Good Shirts article. I also note an ad for American Airlines...Business Class.
But there are other reasons. Undermined by internet-based news media, publications like Newsweek have been moving further away from the coverage of hard news and more towards opinion based articles. As part of this shift - which included many redundancies - the publishers have also planned reductions in the magazines print run - attempting to trade up and target a more affluent reader than ever before...
According to James Robinson, in a recent Observer article (March 1st), Despite its recent circulation gain, Newsweek is losing money and, in a worsening economic climate, those losses are likely to increase, unless its cost base is radically reduced. Printing fewer copies will help, and if it can attract a more affluent readership it may demonstrate there is a future for news weeklies.
The trading-up-in-hard-times lead story is not just an example of projected wishful thinking on Newsweeks part, it also follows the mantra of the luxury industry itself, who for years have been trying very hard to drag us away from our cheaply made Chinese, Indian and Turkish (read overseas) disposable things in favour of their better made but more expensive ones. Revelations about horrendous sweat shops, fly-on-the-wall programmes about Savile Row, stories about an arts and crafts revival are all part of the same urge to pull us away from the cheap side of consumption...This Newsweek article, lost in it's own lack of logic is in a way just part of this on-going sales pitch.
Personally I'm all for trading up, as long as it doesn't mean dumbing down in the process.
Mr Charlie Allen on Umbro
Wednesday, 1 April 2009 Comments Off

No, this isn't my attempt at doing a Sartorialist, although I'm sure this man deserves to be there on any given day. It's Charlie Allen, legendary tailor, dapper gent and co-designer of Umbro's historic new England football kit. I bumped into him this afternoon and had to ask about those ads...
There are about 180 of these ads with all sorts of people in them. Yeah, it's totally intentional...The thing is that in the past, the idea of the Three Lions has had so many racist associations we felt it was important to make it clear - to the whole world in fact - that England is made up of people of all types...
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